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“I’m sick of these artificial barriers between the musical and the drama,” says the lunatic theatre producer Jeffrey Cordova (Jack Buchanon) in Vincente Minnelli’s much loved musical The Band Wagon (1953), and it’s as though Damien Chazelle is thinking the … Continue reading
I once wrote Leonard Cohen a letter. I didn’t get a reply so I’ll never know if he read it, but I can only hope he did. He meant so much to me, and to so many of us. In … Continue reading
I had a lovely surprise this morning. I was running in Los Feliz near my hotel (it’s cheap, but I can see the Hollywood sign from my room), and, while I didn’t expect it, I began to feel familiar with the … Continue reading
Watching Shockproof (Douglas Sirk, 1949) — which sets itself up with a pretty great Bradbury Building cameo — I was thinking: Cornel Wilde is like a duller Dana Andrews type. And then, this shot happened. Remind you of something?
“In The Talk of the Town Arthur shared top billing with Grant, their names placed just above Colman’s in the credits. But she was a distant third in terms of pay. Grant received $106,250 to Colman’s $100,000, while Arthur, still … Continue reading
I revisited Mark A. Viera’s wonderful book Sin in Soft Focus. He elaborates on the production of Letty Lynton, although not without some judgement too (the murder “was excused by a woman’s need to defend her honour, even if she had tossed … Continue reading