Category Archives: cinema

The Barkleys of Broadway (Charles Walters, 1949)

The Barkleys of Broadway (Charles Walters, 1949) contains some expectedly poor-taste jokes, like one that men find it hard to tell women apart at parties, which is actually rather funny in the way the joke is executed through the film although … Continue reading

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Taxi!

Everyone loves a film with an exclamation mark in the title. I do, anyway. The poster doesn’t have one, but the title card in the film print does. Taxi! (Roy Del Ruth, 1932) starts off by being rather inaudible. At first … Continue reading

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Manhattan Melodrama (“Can I have a hot dog?”)

Manhattan Melodrama (W. S. Van Dyke, 1934) begins with a formative moment in the lives of two young boys, Blackie Gallagher and Jim Wade, in which they lose their parents in a maritime disaster. Later, during a group meeting to rally … Continue reading

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The Little Foxes

An early scene in The Little Foxes (William Wyler, 1941) features Birdie Hubbard (Patricia Collinge) sitting in her house, alone at the table, after the husband and son she doesn’t love have left her for the bank they both work at. Framed … Continue reading

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Another brief thought on Under the Skin

A longer reflection on Under The Skin (Jonathan Glazer, 2013) is here: http://kubrickontheguillotine.com/2014/06/18/on-sound-and-silence-in-jonathan-glazers-under-the-skin/   At a crucial point in the alien’s uncomfortable warmth towards humanity, Scarlett Johannson is people-watching. She does a lot of people-watching, observing and learning about human movement and interaction. … Continue reading

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Kanal (Andrzej Wadja, 1957)

“These are the heroes of the tragedy. Watch them closely. For these are the last hours of their lives.” What do these last hours sound like? A stern, dark eyed man plays the piano gently, his refletion in the polished … Continue reading

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On my favourite films of 1944

This is a list I created last year for a particular shared social media “game”, where I was asked to provide my favourite films of 1944. Obviously, my instinct was to first go for all those glorious Hollywood productions, but … Continue reading

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Ever in My Heart

Like so many films of the early classical narrative era, Ever In My Heart (1933) uses newspapers to advance the plot along, to serve as major, and minor, narrations on setting and character. A short feature at 68 minutes, it introduces the … Continue reading

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Allen Baron’s Blast of Silence (1961) is a startlingly dark B-film noir that trudges through the gunk and garbage of Manhattan’s streets and spaces. And it’s not just the visuals that make this a unique and powerful film, a commentary … Continue reading

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“They’re awful people, these artists, these doodlers!” grumbles the dairymaid to her service clan, when Michel (René Lefèvre) can’t pay his dues, or his rent. And so René Clair as a comedian of language and tone, as well as visual … Continue reading

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